Shutter Island
Nationwide, 15A

Martin Scorsese reunites with Leonardo DiCaprio for a full blown, twisty-turny psychological thriller Shutter Island, based on Denis Lehane’s creepy novel.
It’s 1954 and US Marshals Teddy Daniels (Leonardo DiCaprio) and his partner Chuck (Mark Ruffalo), are making their way to an asylum for the criminally insane on remote Shutter Island.
They have come to investigate the disappearance of Rachel Solando (Emily Mortimer), a patient who has mysteriously disappeared from her cell and cannot be found. Her doctor, Dr. John Cawley (Ben Kingsley) is helpful, up to a point, but Teddy soon believes the institution – headed up by Max Von Sydow’s sinister German Dr Naehring – is hiding a secret. But the more he investigates the asylum, the more things don’t add up, and soon Teddy is being haunted by visions of his dead wife (Michelle Williams) and the arsonist who burned their apartment to the ground (played by Jackie Earle Healey)
It’s a rich old stew, and Scorsese seasons it with great performances, especially from DiCaprio, lots of old movie references (to 40s noirs, Val Lewton chillers, Hitchcock, Hammer Horror movies, you name it) and great cinematography and editing from his old team of Robert Richardson and Thelma Schoonmaker.
The Girl With The Dragon Tattoo
Nationwide, 18

It’s much the same story in the long-awaited adaptation of Swedish writer Stieg Larsson’s phenomenal best-seller The Girl With The Dragon Tattoo – which gets a cinema release here, but was originally a two-part television mini-series on Swedish TV.
By much the same story I mean it’s set mostly on an island – albeit one connected by a bridge – it concerns a missing girl – an heiress to a business fortune. She was Harriet Vagner and she disappeared one day 40 years ago and was never found. Now her Great Uncle Henrik, a very wealthy man, has hired disgraced journalist Mikael Blomkvist (Michael Nyqvist) to re-open the case and try to find some new clues.
The tattooed girl of the title is Lisbeth Salander, the punk-rock computer expert he hires to help him. She’s a strange girl, with a bad attitude, but she’s also a genius with a photographic memory.
The story is far, far too complicated to go into in any more detail, except to say that one mystery opens up another, and so on, until a series of Biblical clues lead the pair into extreme danger.
Those who have read the book will know that this is a tough, brutal story and features a lot of sustained violence. It’s not easy to watch at times, but the plot hasn’t been messed about with too much and the performances are mostly decent (especially Noomi Rapace as Salander). It’s much too long though, as you might suspect for a film originally designed to be shown in two 90 minute instalments over two nights.
Read more from John at www.maguiresmovies.blogspot.com