Interpol are back.
Details of the new Interpol album can finally be confirmed: One of the most critically and commercially acclaimed bands of the last decade and a half will release their sixth album, Marauder.
Have a look at their press conference stream here.
INTERPOL: MEXICO CITYhttps://t.co/Jvy85QJxiv
— Interpol (@Interpol) June 7, 2018
August 24th on Matador Records.
Marauder’s first single, ‘The Rover’, can be heard on Paul McLoone's show tonight.
The long arm of the law caught up with Daniel Kessler, Paul Banks, and Sam Fogarino in 2017, as they worked on a new album inside the Yeah Yeah Yeahs’ rehearsal space in Manhattan. Even in its infancy, Marauder was shaping up to be a beast; an early practice session was so vigorous, it resulted in Sam hitting the drums so hard that he busted his kick drum.
Eventually, the trio were playing with such force and volume, that a neighbor called the boys in blue on the boys in black, forcing them out of the practice space. “We ruined it for everyone,” reflects Daniel. “It seemed like you’re picking on the wrong rock band,” adds Sam with a laugh. “It’s not like we’re Mastodon. I mean, in certain circles, we’re considered wimps!”
If that was ever the case, the Interpol captured on their sixth album are nothing of the sort. While many fans took time over the last 18 months to read about the band’s vital part in New York City’s early 21st century rock renaissance or bask in the glory of their hugely successful 15th anniversary tour celebrating the seminal 2002 debut Turn On the Bright Lights, the trio have been quietly (sorry, LOUDLY) working on making sure they’re not just a cultural timepiece for music historians to study. The result is Marauder: an album that sways as well as it seduces, that pounds as well as it pouts, and that batters as well as it broods.
They’ve had some help along the way. For the first time since 2007’s Our Love to Admire, Interpol have opened themselves up to the input of a producer. For two-week spells between December of 2017 to April of 2018, they travelled to upstate New York to work with Dave Fridmann - famed for recording with Mercury Rev, Flaming Lips, MGMT, Spoon, Mogwai, and countless more.
The New Yorkers arrived at his remote and frequently snowbound Tarbox Studios with most of Marauder tightly rehearsed and worked out.Fridmann made sure that their meticulous work in crafting a virile and visceral set of songs didn’t get flattened during recording. It was his suggestion to skip the Pro Tools, and record directly two-inch tape. It’s a decision that allows a leaner and more muscular Interpol to flex throughout the album.